top of page


Public·20 members

My Old Lady YIFY

A lie prevents Charlotte Lovell from getting married to a decent man, Joseph Ralston. Delia, her scheming cousin, can't forgive Charlotte how she was able to get her old flame, Clem, even though she had refused to have anything to do with him when he returns home on her wedding day to the rich Jim Ralston.Charlotte, who is seen years later running a place for orphans of the Civil War, dotes on little Clementina, or Tina, as she calls her. One realizes it's not just an interest she shows, it's a mother love she displays. Fate intervenes again in bringing Charlotte and Tina to live with Delia, who loses her husband. Tina loves her new palatial surroundings and starts resenting Charlotte's discipline.When Tina falls for the handsome Lanning Halsey, she overhears his parents remarking that the young lady is an orphan and below their expectations for their son. Delia intervenes one more time in suggesting she will adopt Tina to give her a Ralston name and position. Charlotte wants Delia to tell Tina the truth and who the real mother is, but at the last moment has a change of heart when she looks at the radiant Tina as she is preparing to marry the man of her dreams.Bette Davis made a valuable contribution to the film. Her Charlotte is at the start an eager young woman who changes into a bitter person as she gets to know her cousin's betrayal and her daughter's cold treatment. Miriam Hopkins plays Delia, a selfish woman, with conviction. George Brent is only seen at the beginning of the film. He plays Clem, who goes to war, never to come back. Jane Bryan is Tina, the young lady unaware who her real mother is. Jerome Cowan, Donald Crisp, William Lundigan and the rest of the supporting cast do an excellent job.Edmund Goulding directed with an eye to the details in this adaptation of Edith Wharton's novel, which had been turned into a play for the New York stage. Max Steiner's music plays well against the background of the Civil War. Tony Gaudio's elegant cinematography is notable as it captures the essence of the story in vivid images.Although not one of Bette Davis' best films, it's a must for all fans of the actress' work. The best achievement is how we see her age in front of our eyes into a convincing old woman.

My Old Lady YIFY

Watched this film for the first time since the 80's when it was released. I remember watching this one as a kid and the thing I remember the most is the scenes of the jinn floating around the museum chasing the last few survivors of the film. It is not bad, but at the same time it is not all that good either. Better pacing would have helped immensely, especially in terms of the kills within the film. We get three deaths right off the bat and then a period of nothing. n another death and another somewhat long stretch of nothing and then we get like seven or eight deaths in like a ten minute span. I would have preferred the deaths be space out more as it kind of takes awhile for the teens to break into the museum so the horror could begin in full instead of just teasing. Another problem is that this thing has the power to do anything, it is a genie, so I would think that every death is going to be unique and awesome. Well, that almost happens, but not entirely. We get two people torn in half, two people killed by snakes and multiple stabbings too. So, there were some good kills, the plot was interesting, but they needed more variety to the kills and maybe a better setting too.The story has these three horrible people going to an elderly ladies house so they could find some money. Well, they drag the old lady from the bed, beat her and then put an ax into her head after they only discover a lamp and no money. Well, some sort of force causes the elderly lady to reanimate and take care of one of the intruders and tears one of them in half and takes care of the female intruder too. Well, the lamp ends up at a museum where a girl makes a very flippant wish and then we meet two more horrific people, one of which the girl used to date. I don't find it hard to believe that she dumped him, but I do find it hard to believe she ever dated him in the first place. Well the school has a field trip to the museum where the girl who now sports the same bracelet as the old woman and seems under somethings control, her boyfriend and two other couples decide to sneak back into the museum after hours for a sex party! Well, the lamp is home to a jinn and it begins to kill and make good on the girl's wish as she is to become the lamp's keeper! If there is anything that movies from this time period have taught me, it is that young adults in the 80's always seemed to want to go to the most complicated place ever to have sex parties. Who knows why, but I've seen them going to malls, mausoleums, old mortuaries and in this film a museum. They just over complicated things back them as they would rather circumvent security systems or some such than simply go to the home of someone whose parents were gone or maybe even to one of those cool parents' houses who would not care if they were getting it on! Just makes me chuckle, and why the heck would there be a regular looking bathtub with curtains that looked as if it belonged in a house in a museum? I could see a shower stall, but not what was in this museum's basement.So, it had its moments and it had your typically dumb 80's teens doing their usual breaking and entering to get some. What it needed was better pacing. Seriously, they had lots of death, but it was so condensed that one minute everyone is alive and getting it on and the next they are all dead! There were too many horrible people in this one too. The first group being the intruders at the beginning and then the two jerks that should have been in jail after pulling a knife on one of the teens and attempting to assault a teacher. They went over their allotment of super jerks, though I did like the one death with the mask. One final thought about this film, considering that everyone was pretty much dead at the end, I do think the girl should have just become the jinn's keeper. Seriously, her and the teacher are probably going to jail after all is said and done, because who the heck is going to believe a genie killed everyone?

Well, I have found this to be a much more frightening film than its predecessor.The scary scenes are straight to the point, the protagonist ghost is a scary lady indeed which makes for some genuinely chilling sequences, and it doesn't ever seem to drag or become dull.The film doesn't suffer from being a relatively modern reboot like so many others, and in the Ju-On tradition it has its portion of cute characters being bumped off in various horrific manners, it certainly doesn't dissapoint in that respect.An enjoyable sequel.I look forward to seeing the next chapter in the Black Ghost.

My Fair Lady, loosely based on George Bernard Shaw's play Pygmalian was a film I saw recently, and I absolutely loved it, and I am 17. It wasn't just the acting, but also the overall look of the film and the music. Mind you, I saw the restored version.The film looks exquisite, with stunning sets and truly luscious costumes. A prime example is the ballroom scene. Audrey Hepburn's dresses were also a marvel to look at. This was also helped by the superb cinematography, and the detailed direction, provided by George Cukor. The scene at the racetrack was one of my personal favourite scenes from the film. Oh, and the choreography is fabulous.The script is witty and acerbic, with excellent scenes with the social commentary. The story is simple, but is well told, and fits the lengthy running time perfectly.The music by Frederick Loewe is just outstanding. Asides from the costumes, the songs are ones that you hear once and never forget. Songs like I Could Have danced All Night, With a Little bit of Luck, Just You wait, Why Can't A Woman Be More Like A Man? and Wouldn't it be Loverly linger long into the memory, and are a joy to the ear. I loved the incidental music at the beginning, then again I am the sort of person who is raised on classical music, and appreciates music for what it is.The performances also added a lot to the film; Rex Harrison was just superb as the cynical, misanthropic Professor Henry Higgins, who transforms Eliza Doolittle to the woman she is at the end of the film. The Belgian actress Audrey Hepburn is perfectly enchanting as Eliza, and Marnie Nixon provides her singing voice beautifully.(yes she was dubbed, and Audrey Hepburn is not a slut) There is solid support from Stanley Holloway and Gladys Cooper, and watch out for Sherlock Holmes actor Jeremy Brett as Freddy.In conclusion, a truly beautiful film, that deserved all the praise it got, it is an amazing film, that is misunderstood. It is also a perfect treat for around Easter time. Honestly, for those who think it is the worst movie ever made, see something like Home Alone 4, the only film I can think of that deserves a minus rating, that's how terrible that film is. My Fair Lady gets a 10/10 from me, Bethany Cox.

Equipped only with a blown out umbrella twisted into the shape of a flower, an old lady, like some ancient Samurai warrior, braves a blinding rainstorm to plea for ending the inhumanity of war. One of his most lyrical and poetic works, Akira Kurosawa's second to last film, Rhapsody in August is about four young Japanese teenagers who stay with their grandmother one summer near Nagasaki and learn about the atomic destruction of their city on August 9, 1945. The film is both a lament for the suffering caused by militarism and an outcry against the world's collective loss of memory.When the children visit their elderly grandmother, Kané (86-year old Sachiko Murase), she tells them that their grandfather died in the atomic bombing of Nagasaki, an event in their country's history that they know very little about. Concerned that the teenagers cannot understand the suffering that had occurred, and the possibility of such an event occurring again, Kané relates personal stories about her experience on that terrible day. Building bridges between generations through her stories, she is able to have the children look past the consumerist values instilled in them by their parents and discover both their countries heritage and the values in life that are most important. As the old woman tells each tale, the children are both curious and moved by their power and mysticism and visit the sites she describes in her stories.They see the decaying remains of two old trees intertwined forever after a lightning storm. They visit the school yard where their grandfather died and see what is left of a jungle gym, now a pile of melted twisted metal that has become a memorial to those children and adults that suffered and died on that day. The film is haunted by Kané's attempt to cope with the emotional consequences of the bombing, an event that most are unable to remember, but that she is unable to forget. She tells the story of her younger brother, a painter, who could only paint eyes, specifically a large red eye, the "eye of the flash" that signaled the disaster in which 39,000 people were killed and an estimated 75,000 died years after.The children's parents have gone to visit Kané's brother who emigrated tom Hawaii in 1920 to run a pineapple plantation and married a Caucasian American. One of ten brothers, Sujijiro, now in failing health, wants to see his sister before he dies but she is reluctant to go in spite of the urging of the children who drool over pictures of her brother's affluent surroundings. When the parents return from Hawaii, wishing to establish good relations with the wealthy Hawaiian family, they try to persuade Kané to go. When Clark (Richard Gere), Sujijiro's son, flies to Nagasaki, the parents are sure it is because he wants to end the proposed visit, resenting the implication that America caused his Uncle's death.When Clark arrives, however, the family discovers the opposite. Although Gere does not look the part of a Japanese-American, his warmth, sincerity, and passion for peace more than compensate and his time in the film is one of the highlights. He first expresses his remorse for his uncle's death in the bombing and visits the shrines in Nagasaki with the four children and their parents. Some critics say the film alludes only to the dropping of the atomic bomb and not to any of the events that preceded it, including the surprise attack on Pearl Harbor. However, it is clearly Kurosawa's intention to dramatize the futility of war, not the wrongdoing of one country.In a tender conversation with Kané, Clark apologizes for what he "should" have said but Kané repeatedly and simply responds, "it's all right", blame it on the war", pointing out that many Americans as well as Japanese died in the fighting. Kané agrees to go to Hawaii but only after joining in a memorial service to the Nagasaki victims, repeating the mantra of Avalokiteshvara Bodhisattva (Buddhist deity), "Gate gate paragate parasamgate bodhi svaha" - "gone, gone, everyone gone to the other shore". One of the loveliest scenes in the film is the sight of a colony of ants climbing the stem of a rose bush, a final epiphany suggesting that amidst the destruction, beauty and hope survive. 041b061a72


Welcome to the group! You can connect with other members, ge...
bottom of page